Showing posts with label What Was He Thinking?. Show all posts
Showing posts with label What Was He Thinking?. Show all posts

Monday, January 4, 2016

Tavepong Pratoomwong: What Was He Thinking?

Tavepong Pratoomwong is a photographer based in Bangkok.





Tree man - One day I was in Japan looking for a camera shop (Yes... if you visit Japan, your camera equipment maniac might relapse). I found a smoking area in front of a train station and a group of office workers smoking. My friend told me this is how they slake off. After taking photos for a while, I saw a little hole in a tree. What if the face of a man poked out through that hole? So I tried positioning the angle to achieve that idea. He did not realize that I was taking his photo (because I was behind the tree) and looked at the advertisements on the big LED monitor on the opposite side. That’s why he turned his face up. I took many photos vertically and horizontally. Finally, I got the best shot when I almost stopped doing it. Treeman is one of my favorite photos and the one that changed my life. Many people know me from this photo because it was the 1st place winner in the Miami Street Photography Festival 2014. 






No. 89 - I took this photo last year when I went to join the Slideluck in Bangkok event. I walked around till sunset without any luck. Before the event started I saw a man smoking in front of a restaurant. He tred to make donut shape smoke. It was quite odd. I snuck behind and used silent mode on my camera. I tried to get as many circle smokes as I could in one frame. After taking a lot of pictures I reviewed all the photos at home and —surprise! — the fume in this one looks like number 89. That month I bought a lotto with this number but got nothing. At least I had a weird photo.





Triplets - I took this photo at the beginning of this year. I went out to meet a friend at a department store in Bangkok. After parking and walking to the gate, I noticed many people crowded around something in front of the building. They were cute quadruplets with their babysitters. I am not hesitant shooting them. I heard taking photo of children in other countries may lead to problems but in Bangkok it's a different story. I tred to get all of them in a frame but it's not easy because they are running around all the time. Unfortunately there are only 3 of them in this shot but I prefer the result because it looks like they are split into 3 groups by a magic trick. 





Ant man - I walked around in town recently. On the upper floor of a building I saw a man writing a note. The building itself looked clean and simple. For me, when I spot some activities on many different levels I always try to find some connection between them. I know the tiny man is quite cliché but I always try and find some way to make it special. Near that area there was a food cart with many dishes in front. So the first idea was make his legs dip into the dish. It didn't work well but I continued shooting this composition. Suddenly he reached the upper beam to help him stand up. But in the photo it's like he is jumping down to the dish below. My friend told me to see movie Ant Man after he saw this shot.





Upside Duck - Not far from my home there is a big restaurant with a large garden. Decoration of this garden changes regularly with attractive designs. The day I took this shot, the lake next to the garden was decorated with a big yellow duck floating in the center. The funny thing is there were real ducks living in that lake too! The first thing in my mind was that I should play with juxtaposition. I tried to find a duck that could compare with the big yellow one. I walked around the lake for a few minutes and found a duck sitting beside the lake as another duck was swimming in the shadow of the big yellow duck. It was a good position to play with juxtaposition. I took a just few shots because it looked too simple for juxtaposition until the duck bit its back with a strange posture.
When I came back home, I tried to rotate this frame upside down and it started working! It left the viewers confused. In my first group exhibition, many people stopped and watched this picture for a long while and tried to understand it. Many of them tried to tilt their heads like that duck. I hope you enjoy its upside down effect too!



Planking - If I have no idea where to go take photos, I always visit Siam City Park at the end. It is a large water park which people call "The Sea of Bangkok" with many people and activities, and it's not far from my house. I even had a year ticket after I decided to do some photo series of this park. One day I went to the artificial sea area (which holds the Guinness world record for largest) and saw a boy. He was playing in the water by letting the wave throw his body and rolling around. In this photo he seems to lie still but in fact his body is rolling up and down. I feel lucky to have 2 boys fill the upper part of the frame and the color of the goggle strap match the pool tiles.



Share - This is one of my favorite photos of 2015. In July I had a chance to join the Observe collective exhibition in Germany. After the event, I went with other photographers to the Peace Festival in Münster. It was a good day to meet many photographers from the internet whom I'd never met in person before. The Festival set up in a football-size park. When we reached it, we looked like kids running to a new playground. I saw an interesting group cutting watermelon. I thought I might get some nice action from this kind of scene, so I sat in front of them tilting my camera up to get some beautiful sky and kept shooting. A good thing about the festival atmosphere is people did not care much about a camera man. The shot I like the most has a rhythm of hands stacking up watermelon. The right side of the photo has a connection of many circles of hands. It's far more than I expected in the first place. One more impression: I got a piece of watermelon from them. The sweet taste I remember till this day.



Headless Dog - Last year I entered the "365 Day in 2014" event of Street Photo Thailand. The point is to take photos every day and select the best one, then submit on their Facebook page. If I haven't enough time I always trip around my home area. I discovered a small village where people came out to exercise after work at a playground. That day the rain had just stopped, so I had not met many interesting subjects until I found a dog chasing a cat and got some pictures. Near that dog and cat group, there was a cowardly looking dog standing in the middle of the street. I'm not interested in the dog, but the background with sphere shapes is fine. So I decided to take pictures of both of them but the dog suddenly turned its head back to bite something and I shot it 2-3 times. No idea of a headless dog came in my mind. I just wanted to shoot a dog and interesting background, that's all.



We love yoga I got this shot from a park near Chao Phraya river. In fact I turned the wrong way and it led me here. The yoga group looked like a good subject but I decided to walk around and find something to be a foreground. At fist I had a shot with a man on a bench and a yoga player in the background. It was ok so I moved on to another area. I noticed a cat hanging around nearby. I came closer but it was not afraid of me. Maybe a boss cat, I think. Eye to eye for a while, the cat walked to the tree and started scratching it like crazy. I jumped in trying to frame the yoga girl in composition at the same time. Out of nowhere, a bird flies up the left side of the frame, its wings looking like the yoga shape bending. Wrong turn but luckily the right path for me.



Dissolves - A few days before the end of 2014, I was shopping in a department store. I found a decorated arc with mirrors cut in a music note shape. It was really shiny and a lot of people were doing selfies around this area. At first I wanted a reflection of one body attached to another pair of legs but the result was not satisfying. Then I noticed the shape of the note mirror in my frame so I moved closer and closer. The edge of the mirror was out of focus now and the result looked like a multi-exposure. I waited for people passing by, shot a lot of this scene, and I prefer this one with a man waking exactly over the line on the floor.

Wednesday, October 1, 2014

Oscar Palomares: What Was He Thinking?

Oscar Palomares is a photographer based in Barcelona. More of his work can be found on Flickr and Facebook.



Catalunya Square, Barcelona, 2013


This picture was taken last year during the major holidays of Barcelona. In these days in that square you could find differents tents. One of them was "defense of the animals" (basically dogs and cats). Some people were there with their pets and some of them were receiving bags. I observed these elements and the relation of the animals with the people and I thought that maybe something interesting could go, and I started to work for a little bit of time.



Ciutadella Park, Barcelona, 2013

I like to go to Ciutadella Park. It's one of my favourite parks in Barcelona. A lot of times (especially on the weekends) something is happening there. In this case, a Sunday evening, the end of a party day for children was taking place. A great globe with a girl inside soon would rise to sky.



La Habana, 2009

Some years ago, I was in La Habana for a month. I was doing pictures for me and for a Chilean magazine. I wanted to do something about the daily Habana. One day I was in the neighborhood of Centro Habana and I found a great group of girls training for volleyball.  I saw the two girls with similar clothes warming up, doing similar movements and I started to take some pictures. It looked nice.


Catalunya Square, Barcelona, 2014


This is one of my most recent. It was taken last July, in the surrondings of Catalunya Square. I like to come here. Some times you can find interesting situations. Normally in the summer —over the last few years in the evenings— this place is full of Russian tourists waiting a bus to their hotel. Many of them are enjoying holidays in other close beach locations, and they come to Barcelona for a trip day. I saw the girl with the mobile, the jacket in her arm with the same yellow color as the mobile, the shirt... A lot of yellow... And I started to play with the elements. I took some frames until the girl went away with a friend.


Sants, Barcelona, 2012



The traditional Sant Medir celebration (also known as "the sweet celebration") every year fills the streets of Barcelona neighborhoods with candies and delicacies. In the picture some children try to take all the candies they can that are thrown from horses and carriages. Like a lot of people, I usually find much more interesting here on the margins than in the parade itself. In this case I thought that the situation could have potential.


Ronda Universitat, Barcelona, 2012

I found this situation one winter evening when I was close to coming back home. I was taking pictures all evening and was thinking to take the last (until the sun went down). And I found this. Click! Click! Click! Click! And then the girl, her mother (I think), the bus, and the ballon flew.



Raval, Barcelona, 2012

One summer evening I was exploring the Raval streets, trying to found something interesting and I found one boy. He was playing with his basketball. I remember that I had a little time for try to equilibrate the image and play a little bit with the composition... We said goodbye to each other with a smile...


Raval, Barcelona, 2012
Another picture taken in the Raval. I like this neighborhood. Photographically I find its narrow streets really interesting. The light in them, the mix of cultures (maybe it's the most multicultural neighborhood in Barcelona), the life... That Saturday I got up not too late and I was doing pictures for two or three hours. I liked the situation and I worked on it for a while. The final result was a bit better than I expected. Or rather, the fact I waited maybe made it better.


Cathedral Square, Barcelona, 2013


Finally, one of my favourite pictures. I shot it in Cathedral Square, a place which I really like to come to. When I do my usual photo‐walking through the city center, it is rare I don't cross here at some time or other. I like the environment. Much life is here and you never know when you can find something interesting.

As you can imagine, I like complex images (also simple!) —to do them and see them with different elements working at the same time. In this case I tried to be as close as possible (as I do almost always) and integrate the maximum of possible interesting elements... And the final result I don't dislike. I'm explaining all this now, but in the moment everything is more unconscious, more intuitive.

Thursday, August 28, 2014

Nils Jorgensen: What Was He Thinking?

Nils Jorgensen is a minimalist based in London.

  

Describe what was happening at the moment of exposure - Nothing as far as I recall.  I was wandering about, in a bit of a dream no doubt.

What were you thinking? - I do not remember.  It’s a while back.

What were you looking for? - I don’t remember that either, but not a sequence, which was something which occurred to me later.

What caught your interest visually?  - The two of them, they looked nice.

Was it a one-off or did you stalk a certain situation? - A one off.

Was there any reaction from people you shot?  - No.

Did the image come out as you expected?  - No. 



Describe what was happening at the moment of exposure - Nothing.

What were you thinking?  - Very little. 

What were you looking for?  - The crowds made nice shapes.

What caught your interest visually?  - Just the crowds.

Was it a one-off or did you stalk a certain situation? - One off.

Was there any reaction from people you shot? - No.

Did the image come out as you expected?  - Not at all.  A lucky shot. 




Describe what was happening at the moment of exposure - I was out shopping.

What were you thinking? - I was excited about trying out a new lens.  

What were you looking for?  - Everything you see in the frame.

What caught your interest visually?  - The shape of the paper in his briefcase.  

Was it a one-off or did you stalk a certain situation? - One off.

Was there any reaction from people you shot? - No.

Did the image come out as you expected?  - Yes.





Describe what was happening at the moment of exposure -  Nothing except what you see.

What were you thinking?  -I liked the people merging with the statues.  

What were you looking for? - That’s it.  

What caught your interest visually?  I liked the merging bit. 

Was it a one-off or did you stalk a certain situation?  A one off.

Was there any reaction from people you shot? No.

Did the image come out as you expected?  Yes.  




Describe what was happening at the moment of exposure - He was having a wee. 

What were you thinking?  I need a wee too. 

What were you looking for? A free urinal.

What caught your interest visually? The free urinals and the drum.

Was it a one-off or did you stalk a certain situation?  A one off.

Was there any reaction from people you shot? No.  

Did the image come out as you expected?  Yes. 




Describe what was happening at the moment of exposure  It was raining.

What were you thinking?  I thought how fortunate she crouched down just there, against the dark wall, just then. She was only looking at her Filofax. 

What were you looking for?  Symbolism.  

What caught your interest visually?  What wouldn’t catch my eye? It’s a wonderful street thing. It’s everything that’s exciting about street photography for me.  

Was it a one-off or did you stalk a certain situation?  One off.

Was there any reaction from people you shot? No. 

Did the image come out as you expected?  Yes.  



Describe what was happening at the moment of exposure?  A party.

What were you thinking?  Time for another drink.  

What were you looking for?  Another drink.

What caught your interest visually?  I’m not sure. Her legs? Her eyes? I can’t remember.

Was it a one-off or did you stalk a certain situation?  A one off.

Was there any reaction from people you shot? No. Though it was taken with flash, so I guess they must have noticed me. Though they were lost in each other. I know I’d have been lost.   

Did the image come out as you expected?  No.
  
  


Describe what was happening at the moment of exposure - I was having a drink with my good friend Nick Turpin.

What were you thinking?  What a nice evening it was.  

What were you looking for?  The couple looked serene and happy, to take a picture of that.

What caught your interest visually?  I’m not sure.  There’s not much happening really.

Was it a one-off or did you stalk a certain situation?  A one off.

Was there any reaction from people you shot? No. But a short while afterwards the couple got up to leave and I showed them my picture, and they liked it. I didn’t get any contact details unfortunately. I hope they are still together and might contact me one day.  

Did the image come out as you expected?  No.
  
  



Describe what was happening at the moment of exposure? -  I was feeling incredibly sad and in some degree of distress.

What were you thinking?  - My mind was in turmoil.

What were you looking for? -  Picture-wise?  I wasn’t looking for anything.  I forced myself to take it. 

What caught your interest visually?  - Her hand.  Her hair.

Was it a one-off or did you stalk a certain situation?  - One off.  Isn’t any street pic a one-off, or else it is nothing?  Ok, let’s not go down there. 

Was there any reaction from people you shot? - She kept on sleeping. 

Did the image come out as you expected?  - No.  
  
  


Describe what was happening at the moment of exposure - Just as you see in the picture.

What were you thinking?  How amazing.  

What were you looking for?  To get the knot and her fingers at just the right moment and the man’s legs too. 

What caught your interest visually?  The knot.

Was it a one-off or did you stalk a certain situation?  One off.

Was there any reaction from people you shot? No.  

Did the image come out as you expected?  No. 

Saturday, July 26, 2014

Mark Alor Powell: What Was He Thinking?

Mark Alor Powell is a photographer based in Mexico City. 



This was taken at the Jardín Ramon Lopez Velarde Park in Mexico City. There are a lot of civic projects from the past to promote exercise. A lot have fallen to the wayside but sometimes you see a determined person making the best of what is available. I saw this guy using a log to do some bench presses and simply waited for his down stroke to shoot (he was aware of my presence, but continued to focus on his exercise). I consciously did not want to see his face in the shot. I talked to him afterwards and he told me he was a male nurse and a physical therapist in a hospital nearby for people recovering from heart surgery. I noticed a few days afterwards passing through the park that this same log was left nearby leaning against a tree for the people to reuse.   



I approached and started to chat with some Norteño musicians in the part of Mexico City known as Iztapalapa. They had been drinking and told me they were waiting for the next round or for some new clients to pick them up for a party. It wasn't real clear, but it seems musicians have their spots, their territories to wait for potential customers —it is almost pimp-like. In any case, another musician walked over and exchanged a few words and there was a shove and I got my camera ready and then a punch which I blindly shot without looking through my viewfinder and shot from my chest. It wasn't until later after I left them that I looked into my camera and saw I got something interesting.  



I saw this guy at a pay phone and he had probably just got some dry cleaning done. I simply stooped down a little as he propped his shirt outside the phone box. I have noticed photographing people as they talk on phones is always a vulnerable (advantageous) time. People seem to let you photograph because they have no way to explain it to the person on the other side and prefer not to stop their own conversation. 



This is an outtake from a fashion shoot I was doing in Mexico City at the Casa Barragan. The model name is Sofia de Lara, famously known for her American Apparel work. I have had the opportunity to photograph her off and on over the years and it is interesting each time. My camera was pointing directly into the sun (underexposing).  It made a great lens flare. Interestingly my client passed this shot for more obvious shots, yet it was my easy favorite on that day of shooting. Often times it is hard to work in fashion because the expectations seem to work against the grain of what you see and want. Though I think it is best to not give in to these expectations and take risks because the photography will always be fresh and better. I have had to learn this lesson many times. 



I was hanging out in Iztapalapa, El Faro del Oriente art school and this dog (xoloitzcuintlewas sunning himself in the late morning winter Mexico City sun. There are quite a few sculptures from the previous year Day of the Dead celebration discarded throughout the campus and as I approached the dog to get a shot the dog got nervous and jumped off —I took a quick shot from my chest and turned it into something better than what I expected. 



I was in Monterrey, Mexico. This city seems to be on its nerves from the recent narco-drug violence and insecurities within the city limits. I was photographing a scene in front of a civic building and I could tell this security card was getting nervous with my presence. I often wear a camouflage hat (my lucky hat) while I photograph in the street. I thought maybe he thought I was from Los Zetas (a well armed narco faction in Mexico) or something.  He was covering his eyes to shade his eyes from the sun and I approached him to ease his mind and told him I was photographing the traffic signals because they were fascinating and old looking. Then I noticed he had two thumbs. I told him his thumbs were amazing and told him that in some cultures in the past he would be considered a god. Please please let me take a picture. As I told him to stand still and I lifted my camera and he naturally placed his hand on his chest. I took two shots and thanked him profusely and we gave each other a high five/six.   



For a long time I would see these twin sister ladies in my neighborhood and I was fascinated with them, but I was always a little hesitant about approaching them to photograph. I didn't want something Kubrick or Arbus like, but really just enjoyed seeing them every time. They always walked together, dressed the same and lived together in an apartment near my apartment in La Juarez. One day I was sitting in the La Glorieta de Insurgentes in La Zona Rosa (where they filmed a scene from Total Recall, the part where Arnold Schwarzenegger meets the robot taxi driver in a chase scene) with my wife and she says to me "Look at them!" I suddenly found myself jumping to my feet following them from behind taking a few shots. I jumped on a cement bench and lifted my camera to my face —at this same moment they paused, I don't know why, to look at the sculpture (it is the bust of the founder of the subway in Mexico City).  It was one of those moments when you feel that the world nerve point is neither here nor there, no cause or effect exists and everything fits together just because. At first I thought the shot was imperfect because I could not see clearly see both twins, but then it really grew on me. 



I was on a editorial assignment photographing the artist Francis Alys in Mexico City at his studio in the historic downtown (El Centro).  I am a big fan of his work, so I was excited to meet him and see where he actually works. The writer went to sit Francis down for an interview and I was left free to wander his studio. Before he left, he told me to not photograph any of his art pieces or work in his workshop, but I was free to wander. I actually was not at all interested what he was working on but wanted to see behind the scenes  I started noticed that even his personal and day to day objects were like displays in themselves, mini refections, stills and contemplative scenes —all seemed to have purpose, even the places where dust was not cleaned seemed to be left undusted for a reason.  I thought that there was really no division between what was work and not work in this space. All was in a process of exercise, expression or contemplation. It was like a purposeful creative OCD. I wandered in his bedroom and found his pants on the bed. I took a picture and it felt like I found a little performance.  



I was photographing in the park in Aragon, Mexico City and there was this area inside the park where an old railroad bridge stretches across a lake full of green algae. I started to hear these slapping sounds and noticed a man crossing the bridge from underneath. After I took a couple photographs, he quickly disappeared in the tree brush on the other side down a narrow path. I asked a hot dog vendor near the bridge if he saw it and he told me that this guy does this several times a week without fanfare, he lives in the neighborhood on the other side of the park and this is probably just a shortcut. The bridge is old and the tiles are broken on top, so this guy just practically crawls underneath.