Tuesday, June 30, 2009
Monday, June 29, 2009
Sunday, June 28, 2009
What To Do? 2004 - 2009
101. Sewallcrest Park, Portland, 2005
102. Broadway and Burnside, Portland, 2009(WTD? is a weekly installment of old unseen b/w photos)
Saturday, June 27, 2009
Answers 0627 - 2009
The answers to Tuesday's drawing quiz:
1.
Parade, Hoboken, 1955, Robert Frank
2.
Varnisher, 1932, August Sander
3.
Lodgers in a Crowded Bayard St. Tenement - 5 Cents a Spot, 1889
Jacob Riis
4.
Self Portrait as a Drowned Man, 1840, Hippolyte Bayard
5.
Topless Dancer in Her Dressing Room, 1968, Diane Arbus
6.
Boulevard du Temple, Paris, 1838, Louis Jacque Mande Daguerre
7.
Art Institute of Chicago, 1990, Thomas Struth
8.
Wet 'n' Wild Aquatic Theme Park, 1980, Joel Sternfeld
9.
Execution of Lincoln Assassination Conspirators, 1865
Alexander Gardner
10.
Normandy, 1944, Robert Capa
11.
John Calhoun, daguerrotype, c. 1855, Mathew Brady
12.
Untitled Film Still #48, 1979, Cindy Sherman
1.
2.
3.
Jacob Riis
4.
5.
6.
7.
8.
9.
Alexander Gardner
10.
11.
12.
Friday, June 26, 2009
Iran 1979 - 2009
As the disputed Iranian election begins to recede to the back pages it's still hard to judge the long term fallout. One aspect of the protests that separates it from past Iranian uprisings is the citizen technology used to cover events. Cellphone cameras, email, and blogs in Iran have been used to circulate information outside official channels.
Iran, 1979, Marc Riboud
Iran, 2009, Mohammad Kheirkhah/UPI
But the breakthrough technology seems to be Twitter. In what may be the first constructive application of Tweets, Iranian protesters have used Twitter to communicate between each other and with the outside world. It's instant. It's underground. It's decentralized. For authorities trying to control information, it's a nightmare.
During the 1979 hostage crisis there was no Twitter. In order for Gilles Peress to communicate from inside Iran with Magnum in Paris, he used low-tech telexes. As Mason Resnick and others have commented, the style and syntax of Peress' Telexes are remarkably similar to Tweets: Short and to the point with condensed words and proto-emoticons. For example:
Peress' telexes were eventually published with his photos in Telex Iran. This landmark book contains a slew of impossible shots, one after the other. A master of angles and shadows, Peress is one of those rare shooters who somehow intuits exactly how to divide the frame but also knows when not to. Telex Iran depicts a nation in crisis but it goes well beyond that. Many of the photos are of everyday life: Taxi cabs, markets, street crossings, etc. The end result lands somewhere between Klein, Nachtwey, and Twitter.
Unfortunately the last printing was more than a decade ago and now Telex Iran has been allowed once again to become a precious collector's item. Maybe recent events will spur a reprinting? Doubt it. Anyway, if you have a copy now might be the time to pull it from the shelf and re-familiarize yourself. If you don't have the book, web versions of all the photos can be found on Magnum's site.
Sample spread, pgs. 22-23 from Telex Iran
Demonstration in favor of the leading opposition figure Ayatollah Kazem Shariatmadari, Tabriz, Iran, 1980, Gilles Peress
Ghost ride at an amusement park, Tehran, Iran, 1979, Gilles Peress
Bazaar, seen from a taxi, Tabriz, Iran, 1979. Gilles Peress
A sign in front of the US Embassy, Tehran, Iran, 1979. Gilles Peress
But the breakthrough technology seems to be Twitter. In what may be the first constructive application of Tweets, Iranian protesters have used Twitter to communicate between each other and with the outside world. It's instant. It's underground. It's decentralized. For authorities trying to control information, it's a nightmare.
During the 1979 hostage crisis there was no Twitter. In order for Gilles Peress to communicate from inside Iran with Magnum in Paris, he used low-tech telexes. As Mason Resnick and others have commented, the style and syntax of Peress' Telexes are remarkably similar to Tweets: Short and to the point with condensed words and proto-emoticons. For example:
MAGNUM PARIS OU EST GILLESS?????? MINUTE####### DON'T KNOW+++++ OK BIBI
PRO DOMINIQUE
NOTHING HAPPENING. AM TIRED. OUT OF MONEY. TWO CAMERAS WENT DEAD IN BEHESHIEZARA CEMETERY. WILL PROBABLY RETURN MONDAY PLANE PLS ADVISE IF ANY PROBLEMS LOVE GILLES
PRO GILLES PERESS
***************URGENT
IMPOSSIBLE YOU LEAVE. RUMOR HOSTAGE WILL BE FREED NEXT THURSDAY ALSO LIFE INTERESTED...PLS STICK IT OUT
BISES DOMINIQUE
Peress' telexes were eventually published with his photos in Telex Iran. This landmark book contains a slew of impossible shots, one after the other. A master of angles and shadows, Peress is one of those rare shooters who somehow intuits exactly how to divide the frame but also knows when not to. Telex Iran depicts a nation in crisis but it goes well beyond that. Many of the photos are of everyday life: Taxi cabs, markets, street crossings, etc. The end result lands somewhere between Klein, Nachtwey, and Twitter.Unfortunately the last printing was more than a decade ago and now Telex Iran has been allowed once again to become a precious collector's item. Maybe recent events will spur a reprinting? Doubt it. Anyway, if you have a copy now might be the time to pull it from the shelf and re-familiarize yourself. If you don't have the book, web versions of all the photos can be found on Magnum's site.
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